Aspie Seeks Love – The Movie Gourmet

2015 at the Movies: most overlooked

December 30, 2015 by movie gourmet

This blog exists because I’m an evangelist for outstanding films that may be overlooked by people who will appreciate them. You don’t need ME to tell you that The Big Short, Creed, Spotlight and The Martian are good movies. What’s important to me is that you don’t miss the less well-known gems:

The unforgettable coming of age dramedy Me and Earl and the Dying Girl. It’s available streaming from Amazon, iTunes, Vudu, YouTube and Google Play and now available to rent on DVD from Netflix and Redbox.
The extraordinary Russian drama Leviathan, a searing indictment of society in post-Soviet Russia. Leviathan is available streaming on Amazon Instant Video, iTunes, Vudu, YouTube, Google Play and Flixster.
The hilariously dark Argentine comedy Wild Tales. It’s available on DVD from Netflix and streaming from Amazon Instant Video, iTunes, Vudu and Xbox Video.
The gentle, thoughtful and altogether fresh dramedy I’ll See You In My Dreams with Blythe Danner, available to stream from Amazon Instant Video, iTunes, Vudu, YouTube and Google Play.
Phoenix from Germany – a riveting psychodrama with a wowzer ending. It is available to stream from Netflix Instant, Amazon Video, YouTube and Google Play.
The brilliant psychological drama 99 Homes, available on DVD early in 2016.
The delightful family centric Meet the Patels – a documentary funnier than most comedies.
The character-driven suspense thriller The Gift.

Rebecca Hall, Jason Bateman and Joel Edgerton in THE GIFT

Talk about overlooked – one of the year’s very best films, the exquisite and lyrical Georgian drama Corn Island, didn’t even get a US release. Neither did some other wonderful films that I saw at Cinequest: the narrative feature The Hamsters and the documentaries Aspie Seeks Love, Meet the Hitlers and Sweden’s Coolest National Team. Here’s hoping that I can tell you where to see them soon.

Cinequest 2015: festival recap

March 31, 2015March 8, 2015 by movie gourmet

A pronounced overall success, Cinequest 2015 delivered hearty audience-pleasers from a varied and satisfying menu that featured some real gems from the indie, documentary and world cinema categories.

The fest kicked off with two huge popular successes: the feel-good BATKID BEGINS and the hilariously dark WILD TALES, and kept up the pace throughout the first weekend with an assortment of successful premieres.

Cinequest’s Director of Programming Mike Rabehl presented a fest especially rich in first features, including:

THE CENTER: An absorbing and topical American indie drama about the seductiveness of a cult; and especially promising debut from filmmaker Charlie Griak.
ANTOINE ET MARIE: A brilliantly constructed French-Canadian drama with two unforgettable characters (actually a second feature).
IN THE COMPANY OF WOMEN: Unexpectedly sweet, this starts out with a Boys Behaving Badly set-up and then morphs into a tribute to enduring love. A festival surprise hit.
FOR SOME INEXPLICABLE REASON: A good-natured Belgian comedy containing some very innovative nuggets.

Cinequest’s international film scout Charlie Cockey came through once again with the fest’s best film, the transcendent Georgian drama CORN ISLAND, which won the Jury Award for Best Narrative Drama.

This 2015 fest was the strongest recent Cinequest for documentaries. The well-deserved Jury Award for best Documentary went to ASPIE SEEKS LOVE, the story of a surprisingly sympathetic subject. Other excellent docs included:

the sometimes jaw-dropping MEET THE HITLERS;
the pleasurable Nerd Olympics doc SWEDEN’S COOLEST NATIONAL TEAM; and
the powerful look at capital punishment, THERE WILL BE NO STAY.

Not every film was a home run. Director John Boorman’s personal appearance was a hit, but his QUEEN AND COUNTRY was only moderately entertaining. And the eagerly awaited CLOUDS OF SILS MARIA (Cesar-winning Kristen Stewart) and the Sundance award-winning SLOW WEST were clunkers.

Richard von Busack, the highly respected local film critic, picked Tuesday night’s L’ATALANTE:, rarely seen on the big screen. It’s the 1934 masterpiece of French writer-director Jean Vigo, who died at age 29 soon after its completion. A packed house agreed that this was one of Cinequest 2015’s top experiences.

Other highlights included the Belgian romantic dramedy THREE HEARTS, the French comedy GEMMA BOVERY and the exceptionally well-directed Kosovan drama THREE WINDOWS AND A HANGING.

The most underrated movie at Cinequest? Somehow, the biting darkly hilarious Mexican social satire LOS HAMSTERS is flying under the radar. I think this tale of a dysfunctional family is both very smart and very funny.

BARCO Escape showcased developing three-screen technology to envelope the audience in the cinematic experience. I have reservations about the BARCO experience, but the short film WITHDRAWAL was a definite winner.

Here’s all my Cinequest coverage – with several features and comments on over twenty-five movies – conveniently linked on one page.

Cinequest picks for Wednesday, March 4

March 4, 2015 by movie gourmet

The final (scheduled) screenings of these gems are today:

CORN ISLAND: This exquisite and lyrical Georgian drama is a Must See for Cinephiles. If it doesn’t turn out to be the best contemporary art movie at Cinequest 2015, I’ll be shocked.
ASPIE SEEKS LOVE: A surprisingly sympathetic portrait of a guy looking for love like anyone else, but whose social skills are handicapped by Asberger’s.

ANTOINE ET MARIE

See you around the fest. You can find my festival coverage, including both features and movie recommendations, on my Cinequest page. Follow me on Twitter for the very latest.

Cinequest 2015 at mid-festival

March 2, 2015 by movie gourmet

We’re halfway through Cinequest 2015. What are the biggest hits and the most delightful surprises?

Cinequest’s Director of Programming/Associate Director Mike Rabehl was definitely right: he predicted BATKID BEGINS and WILD TALES to be among the biggest audience pleasers. The opening night audience reveled in BATKID BEGINS, and WILD TALES, the darkly comic Argentine collection of revenge stories, rocked the California Theatre.

And how about those surprise gems?

CORN ISLAND: This exquisite and lyrical Georgian drama is a Must See for Cinephiles. If it doesn’t turn out to be the best contemporary art movie at Cinequest 2015, I’ll be shocked.
ANTOINE ET MARIE: A brilliantly constructed French-Canadian drama with two unforgettable characters.
THE CENTER: An absorbing and topical American indie drama about the seductiveness of a cult.
IN THE COMPANY OF WOMEN: Unexpectedly sweet, this starts out with a Boys Behaving Badly set-up and then morphs into a tribute to enduring love.
FACTORY BOSS: I haven’t yet seen this narrative about the manager of a Chinese sweatshop factory getting squeezed, but I’ve hearing good things around the fest. One of my friends, who has been to factories in Shenzen, entered a screening a little late and initially mistook it for a documentary.

It’s also been a notably strong year for the documentaries at Cinequest:

ASPIE SEEKS LOVE: A surprisingly sympathetic portrait of a guy looking for love like anyone else, but whose social skills are handicapped by Asberger’s.
MEET THE HITLERS: Tracking down real people burdened with the Fuhrer’s name, this successful doc weaves together both light-hearted and very dark story threads.
SWEDEN’S COOLEST NATIONAL TEAM: A character-driven take on the sports movie takes us into a Nerd Olympics.
THERE WILL BE NO STAY: a powerful examination of American capital punishment from the perspective of the executioners.

Most promising film yet to come? I’d say Tuesday night’s L’ATALANTE:, rarely seen on the big screen. It’s the 1934 masterpiece of French writer-director Jean Vigo, who died at age 29 soon after its completion. Richard von Busack, the highly respected film critic for Metro, will receive a Media Legacy Award at the screening.

See you around the fest. You can find my festival coverage, including both features and movie recommendations, on my Cinequest page. Follow me on Twitter for the very latest.

Cinequest Picks for Sunday, March 1

March 1, 2015 by movie gourmet

Cinephiles need to see the exquisite and lyrical Georgian drama CORN ISLAND. If it’s not the best contemporary art movie at Cinequest, I’ll be shocked. Today’s other best picks:

CLOUDS OF SILS MARIA: The ever-radiant Juliette Binoche plays an actress now relegated to the older role in her breakthrough play, with her younger role going to Kristen Stewart (All About Eve, anyone?). And Stewart just became the first American actress to win a César (the French Oscar) for this performance.
THE CENTER: An absorbing and topical American indie drama about the seductiveness of a cult.
DIRTY BEAUTIFUL: An American indie comedy that is decidedly NOT a by-the-numbers battle of the sexes.
ASPIE SEEKS LOVE: A surprisingly sympathetic portrait of a guy looking for love like anyone else, but whose social skills are handicapped by Asberger’s.
THE CENTER

Cinequest Picks for Friday, February 27

February 27, 2015 by movie gourmet

Here are my picks for Friday at Cinequest, starting with three of my favorites:

THE CENTER: An absorbing and topical American indie drama about the seductiveness of a cult. WORLD PREMIERE.
LOS HAMSTERS: A biting darkly hilarious Mexican social satire. NORTH AMERICAN PREMIERE.
ASPIE SEEKS LOVE: A surprisingly sympathetic portrait of a guy looking for love like anyone else, but whose social skills are handicapped by Asberger’s. WORLD PREMIERE.

I also like SWEDEN’S COOLEST NATIONAL TEAM (a character-driven take on the sports movie takes us into a Nerd Olympics) and the innovative and good-hearted Hungarian comedy FOR SOME INEXPLICABLE REASON and I’ve heard great things about these following films:

GUARD DOG: dark and violent Peruvian thriller. US PREMIERE.
MILWAUKEE: US indie sex and relationship comedy. WORLD PREMIERE.

See you around the fest!

Cinequest 2015 – festival preview

February 27, 2015February 24, 2015 by movie gourmet

It’s time to dive into the 2015 version of the San Jose film festival Cinequest running from tomorrow through March 8. This year’s program looks GREAT. You can find my festival coverage, including both features and movie recommendations, on my Cinequest page (which you may wish to bookmark). Follow me on Twitter for the very latest.

Here are my 18 best bets at Cinequest 2015:

WILD TALES: the darkly comic Argentine collection of revenge stories. Wild Tales has been a festival hit (Cannes, Telluride, Toronto and Sundance) around the world and was nominated for the Best Foreign Language Oscar. One of its vignettes features one of my favorite screen actors, Ricardo Darin (the Argentine Joe Mantegna). See it at Cinequest before it gets to Bay Area art houses on March 6. Ann Thompson (Thompson on Film) will be receiving a Media Legacy Award at the screening.
CLOUDS OF SILS MARIA: The ever-radiant Juliette Binoche plays an actress now relegated to the older role in her breakthrough play, with her younger role going to Kristen Stewart (All About Eve, anyone?). And Stewart just became the first American actress to win a César (the French Oscar) for this performance.
’71: Everybody says that this thriller about a British soldier trapped overnight in a hostile Northern Ireland neighborhood during the Troubles is pedal-to-the-metal intensity.
SLOW WEST: This offbeat Western with Michael Fassbender won a prize at Sundance.
QUEEN AND COUNTRY: Director John Boorman’s Korean War-Era quasi-sequel to his Hope and Glory. Boorman (Deliverance) will appear at the screening. Silicon Valley release on March 6.
L’ATALANTE: The 1934 masterpiece of French writer-director Jean Vigo, who died at age 29 soon after its completion. Richard von Busack, the highly respected film critic for Metro, will receive a Media Legacy Award at the screening.

Here are my pre-festival picks from among the films that I’ve seen:

DRAMA:

ANTOINE ET MARIE: A brilliantly constructed French-Canadian drama with two unforgettable characters.
THE CENTER: An absorbing and topical American indie drama about the seductiveness of a cult.

COMEDY:

LOS HAMSTERS: A biting darkly hilarious Mexican social satire.
DIRTY BEAUTIFUL: An American indie comedy that is decidedly NOT a by-the-numbers battle of the sexes.

DOCUMENTARY:

ASPIE SEEKS LOVE: A surprisingly sympathetic portrait of a guy looking for love like anyone else, but whose social skills are handicapped by Asberger’s.
MEET THE HITLERS: Tracking down real people burdened with the Fuhrer’s name, this successful doc weaves together both light-hearted and very dark story threads.
SWEDEN’S COOLEST NATIONAL TEAM: A character-driven take on the sports movie takes us into a Nerd Olympics.

I’ve also gotten tips from insiders about some other very promising films (that I haven’t seen yet):

CORN ISLAND: Reportedly transcendent Georgian drama.
FOR SOME INEXPLICABLE REASON: Hungarian comedy.
GUARD DOG: dark and violent Peruvian thriller. US premiere.
MILWAUKEE: US indie sex and relationship comedy. World premiere.
THREE WINDOWS AND A HANGING: Searing Kosovan drama.

Take a look at the program and the passes and tickets. (If you want to support Silicon Valley’s most important cinema event while skipping the lines, the $100 donation for Express Line Access is an awesome deal.) You can download the Festival Guide from this page.

Cinequest: ASPIE SEEKS LOVE

February 24, 2015 by movie gourmet

In documentarian Julie Sokolow’s suprisingly moving Aspie Seeks Love, we meet a geeky guy named David Matthews, and we can immediately tell that he has really bad social skills. He’s initially off-putting – he has a robotic speaking voice, he’s bringing up the wrong conversational subjects and any woman he meets can safely be predicted to run, run, run away. Then we learn that David (now age 47) was diagnosed with Asberger’s at 41. (Aspie is a self-descriptive term used by some folks with Asperger’s syndrome.)

David is determined to overcome his Asberger’s and find love. We follow David with his support group, his therapist and even along on some dates. We’re with him when he’s hanging around a pool table with three Aspie buddies; they’re talking about how difficult it is to navigate courtship rituals when you don’t have the ability to pick up cues – for example, whether a woman is ENCOURAGING or DISCOURAGING an escalation in physical contact. I really felt for these guys – non-verbal communication while dating can be hard enough to decipher without the handicap of an autism spectrum disorder. It’s heartbreaking that David spent 41 years (before his diagnosis) with people thinking that he was just a weirdo.

Small talk is a challenge, too. David says, “I’m a vegan”, which draws some interest. But he doesn’t understand why you shouldn’t follow that up with “It makes my body smell clean”.

Despite his disorder, David is really smart, artistic, and enjoys an ever present sarcastic sense of humor. I’m no softy, but I found myself really rooting for this guy. Okay – so he’s socially awkward, but he’s employed and stable, lives in his own house, is about to become a published author, is impeccably clean, doesn’t smoke drink or do drugs, has no criminal record – he must be right for SOME WOMAN out there. I live in Silicon Valley among engineers and David really isn’t THAT socially inept by comparison.

Possibly because David doesn’t really GET awkwardness, writer-director Julie Sokolow is able to follow him into situations that normal folks might find intrusive. Sokolow also edits, and the editing choices are just about perfect. Aspie Seeks Love is a gem.

Cinequest hosts the world premiere of Aspie Seeks Love on February 27, and it plays again on March 1 and March 4, all at Camera 12.