Movies to See Right Now


Slim pickings in theaters this week.  I’ll be writing about Mark Felt – The Man Who Brought Down the White House, which I really can’t recommend.  I haven’t yet seen The Florida Project.

I have written this week about the documentary 78/52: Hitchcock’s Shower Scene, the podcast Inside Psycho and the classic Psycho itself.

My pre-Halloween DVD/Stream of the Week is Unfriended. It’s on both my lists of I Hadn’t Seen This Before and Low Budget, High Quality Horror of 2015.  Unfriended is available to rent on DVD from Netflix and Redbox and streaming from Amazon Video, iTunes, Vudu, YouTube, Google Play and Flixster.

October 30 on Turner Classic Movies, we meet Robert Young as one of cinema’s least sympathetic protagonists in They Won’t Believe Me (1947). A decade before Father Knows Best and two decades before Marcus Welby, M.D., Young plays a weak-willed and impulsive gold-digging womanizer. He’s married for money, but he also wants his girlfriend (the rapturous Jane Greer) AND his second girlfriend (a gloriously slutty Susan Hayward) AND his wife’s money. He’s making every conceivable bad choice until, WHAM BANG, circumstance creates a situation where he can get everything he wants …until it all falls apart. They Won’t Believe Me has one of the most ironic endings in the movies.

Robert Young and Susan Hayward in THEY WON’T BELIEVE ME

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PSYCHO: the movie, the documentary and the podcast

It’s the favorite month for scary movies, so The Movie Gourmet is featuring Hitchcock’s classic Psycho, with two superb 2017 accompaniments.

I recommend that you start with the six-part series of podcasts Inside Psycho.  Podcaster Mark Ramsey begins with the real-life crime that sparked Psycho’s origin story and takes us through the purchase of the book rights, which turned out to be a very one-sided business deal.  Ramsey puts Psycho in the context of Hitchcock’s career moment and reveals the film’s stepchild status at Paramount (it was filmed at Universal with a TV crew).  He gives us a deep dive into the filming of the shower scene, including the censors’ search for the nudity (was it really in there?).   We even learned about Hitchcock’s demands as to how Psycho would be exhibited – rules that changed the movie-going habits in our culture.  Ramsey even tells us what happened to Marion’s car.

You’ll enjoy the movie more after you’ve listened to this podcast.  Go to your podcast app and search for “Inside Psycho” or access the Inside Psycho website.

inside psycho

For your next course, I recommend this year’s documentary 78/52: Hitchcock’s Shower Scene, named for the 78 setups and 52 cuts in Psycho’s shower scene.  Documentarian Alexandre O. Philippe takes us through aspects of the movie, but drills most deeply into the notorious shower scene. Philippe brings us noted composer Danny Elfman to comment on Bernard Herrmann’s famously screeching strings.   We hear from Walter Murch, the brilliant film editor who invented the field of movie sound design, about the visual imagery and sound effects.   And Amy Duddleston, the film editor on the 1998 Gus Van Sant Psycho remake, ruefully recounts how it’s all even harder than it looks.

Here’s a representative nugget from both Inside Psycho and 78/52.  Before her shower, Janet Leigh as Marion enters the bathroom, tears up paper notes and flushes them down the toilet.  Amazingly, this is the first flushing toilet in hitherto prudish American cinema.  Seconds later, of course, come more shocks.

And here’s a treat, we meet the perky and amiable Marli Renfro, the Playboy Bunny and pin-up girl who was Janet Leigh’s nude body double in the shower scene.  That scene took seven grueling days to film. Jamie Lee Curtis relates her mom’s weariness with the strategic moleskin that kept slipping off.  Renfro was just happy to pick up the extra paychecks.

Finally, there’s a fun montage of Psycho references in later movies and popular culture.  In what must be a spectacular half-joke, the documentary is dedicated “to Mother”.  78/52: Hitchcock’s Shower Scene is available to stream from Amazon,  iTunes, YouTube and Google Play.


And then, of course there’s the original Psycho itself.  It’s still effectively shocking – both in killing off the star one-third of the way through (almost unthinkable even today) and in the climactic reveal.  Anthony Perkins is wonderful as Norman Bates, especially in how he gets us to understand immediately that Norman’s awkward oddness may be an indicator of more severe insanity.

Psycho is one hour and 49 minutes long. The key is to stop watching as soon as poor Simon Oakland shows up on-screen as the shrink Dr. Fred Richman.  The usually reliable character actor Oakland was thanklessly tasked with delivering an interminable five-minute lecture on Norman Bates’ diagnosis.  It’s painful overexplaining and brings downs the Psycho experience.  You’ll thank me.

You can rent the original Psycho on DVD from Netflix, stream it from iTunes, Vudu and YouTube, or catch it on Turner Classic Movies or elsewhere on TV.

Simon Oakland in PSYCHO




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DVD/Stream of the Week: UNFRIENDED – run from your webcams!!!



In the very satisfying horror film Unfriended, it’s the one-year anniversary of a teenage girl’s suicide, and her bullying peers convene via webcams on social media. But their computers are hijacked by an Unknown Force who starts wreaking revenge. The kids become annoyed, then worried and, finally, panicked for their lives.

Here’s something I’ve never seen before: the entire movie is compiled of the characters’ screenshots. The critic Christy Lemire says that “Unfriended is a gimmick with a ridiculous premise, but damned if it doesn’t work”, and she’s right. Writer Nelson Greaves and Director Levan Gabriadze came up with this device, and their originality pays off with a fun and effective movie.

It’s on both my lists of I Hadn’t Seen This Before and Low Budget, High Quality Horror of 2015. Unfriended is available to rent on DVD from Netflix and Redbox and streaming from Amazon Video, iTunes, Vudu, YouTube, Google Play and Flixster.

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Movies to See Right Now

Harry Dean Stanton in LUCKY. Photo courtesy of Magnolia Pictures

This weekend, I’m going to try to catch The Florida Project and Mark Felt – The Man Who Brought Down the White House. Of the movies that I HAVE seen, I like the often funny and stealthily profound Lucky, starring the late Harry Dean Stanton.

My DVD/Stream choices of the week are Woody Harrelson’s overlooked gems. The best, Rampart, is available on DVD from Netflix and Redbox and streaming from Netflix Instant, Amazon, YouTube and Google Play. But check out The Messenger, Zombieland and True Detective, Season 1, too.

As they say, life begins with fifty Gs.  On October 22, Turner Classic Movies presents Raw Deal (1948), with some of the best dialogue in all of film noir, a love triangle and the superb cinematography of John Alton.

Claire Trevor in RAW DEAL

Claire Trevor in RAW DEAL

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DAWSON CITY: FROZEN TIME: eat your broccoli


When there’s a movie that is supposed to be good for you, but you really don’t enjoy it, I call it an “eat your broccoli” movie, and the documentary Dawson City: Frozen Time is an example.

An estimated 75% of all silent movies have been lost.  Dawson City: Frozen Time is about the discovery of hundreds of silent films.  It turns out that Dawson City, a mining hamlet in the Canadian Yukon, was the last stop on a movie distribution circuit.  When a movie played Dawson City, it was already two years after the initial release, so the distributors didn’t find it worthwhile to pay for the return of the film.  Accordingly, many movies from the silent era were stored or disposed of in Dawson City, where they were uncovered by a construction bulldozer in 1978.

That’s all interesting enough, and 5-10 minutes would be enough to tell this story, and then we could focus on the most compelling of the actual Lost Films, and that could make a fine documentary.  But the two hours of Dawson City: Frozen Time is a loooong two hours.

There are some interesting documentary nuggets.  One example is an illustration of how hand grenades were manufactured for WW I.

Baseball fans will treasure clips from the 1919 World Series, which is infamously known for the “Black Sox” scandal.  Some Chicago White Sox stars took money from gamblers to throw the series.  In Dawson City, we actually get to see some of the suspiciously inept plays by the heavily favored Sox.

The best part is about two-thirds through – a montage of found films.  The images are compelling, and the performances have a surprising magnetism.

By far the worst part of Dawson City is its off-putting score.   The drone of discordant chords (is that an oxymoron or just impossible?)  played on various keyboard instruments is distracting and then finally unbearable.  I was annoyed enough, but then The Wife, from another room in the house, called out, “That music is TERRIBLE”.

I need to tell you that I’m outside the critical mainstream on Dawson City: Frozen Time, which has an impressive Metacritic score of 85.   Major critics that I highly respect have described it as “instantaneously recognizable masterpiece”, “thrilling”, “hypnotic” and even “elevates…to the level of poetry”.  But not for me.

Dawson City: Frozen Time can be streamed from Amazon, Vudu, YouTube and Google Play.


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DVD/Stream: Woody Harrelson’s overlooked gems

Woody Harrelson in RAMPART

Woody Harrelson has come a long way from his cheerfully amiable dunderhead bartender in Cheers.  As an actor, Woody swings for the fences and is attracted to larger than life roles.  He’s also famous/notorious as an off-screen provocateur.

And Woody works a lot.  This year, he’s featured in War for the Planet of the Apes,  Wilson, The Glass Castle and LBJ.

Here are some of Woody’s overlooked gems:

  • Rampart: In a sizzling performance, Woody plays a corrupt and brutal LA cop trying to stay alive and out of jail. If you’re looking for Woody Harrelson’s best performance, you should try this movie.  Available on DVD from Netflix and Redbox and streaming from Netflix Instant, Amazon, YouTube and Google Play.
  • The Messenger: Woody plays a veteran soldier helping a younger one (Ben Foster) through his new assignment: visiting military next of kin to inform them face-to-face of their loved one’s death in combat; Despite the challenging material, most people will appreciate Woody’s brilliant performance.  Available on DVD from Netflix and streaming from Amazon, iTunes, YouTube and Google Play.
  • Zombieland: Woody plays a master zombie killer is this riotously funny satire of zombie movies. Zombieland also features performances by Emma Stone, Jesse Eisenberg, Amber Heard and Abigail Breslin very early in their careers, and a priceless cameo from Bill Murray).  Available on DVD from Netflix and streaming from Amazon, iTunes, Vudu, YouTube and Google Play.
  • True Detective, Season 1: It’s a dark tale of two mismatched detectives – each tormented by his own demons – obsessed by a whodunit in contemporary back bayou Louisiana.  Woody is very good – but Matthew McConaughey’s performance may have been the best on TV that year. Available on DVD from Netflix and streaming from HBO GO, Amazon, Vudu, YouTube and Google Play.
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Movies to See Right Now

The new PBS documentary by Ken Burns and Lynn Novick, The Vietnam War, is one of the best documentaries of the century and a superb history lesson, crucial to understand the America of today. It’s a Must See for Baby Boomers. For different reasons, it’s a Must See for Americans of later generations. The ten episodes of The Vietnam War can be streamed from PBS through October 15.

Your best chance to see an Oscar-winner is at the Mill Valley Film Festival, now underway at several Marin locations. The MVFF always previews many of the most promising prestige films that are scheduled for release during Award Season.

In theaters now, there is the often funny and stealthily profound Lucky. Here’s my remembrance of its star, Harry Dean Stanton.

Sure to be near the end of its theatrical run, you can still catch the contemporary Western thriller Wind River, which has mystery, explosive action, wild scenery and some great acting, especially by Jeremy Renner and Gil Birmingham.

My DVD/Stream of the Week is the compelling and affecting Short Term 12, set in a foster care facility and starring Brie Larson as kind of a Troubled Kid Whisperer.  Short Term 12 is available on DVD from Netflix and streaming from Netflix Instant, Amazon, iTunes, Vudu, YouTube, GooglePlay and Xbox Video. It was high on my Best Movies of 2013.

On October 15, Turner Classic Movies presents Diabolique. The headmaster of a provincial boarding school is so cruel, even sadistic, that everyone wants him dead, especially his wife and his mistress. When he goes missing, the police drain the murky pool where the killers dumped the body…and the killers get a big surprise. Now the suspense from director Henri-Georges Clouzot (often tagged as the French Hitchcock) really starts.

And TCM offers something completely different on October 16, the delightful Peter Bogdanovich screwball comedy What’s Up, Doc? The nerdy academic Howard (Ryan O’Neal) and his continually aggrieved fiance Eunice (Madeline Kahn) travel to San Francisco to compete for a career-launching grant. The luggage with Howard’s great discovery (musical rocks) is mixed up with two identical suitcases, one containing valuable jewelry, the other with spy secrets, and soon we have juggling MacGuffins.

That’s all funny enough, but Howard bumps into Judy (Barbra Streisand), the kookiest serial college dropout in America, who determines that she must have him and utterly disrupts his life. Our hero’s ruthless rival for the grant is hilariously played by Kenneth Mars (the Nazi playwright in The Producers). Austin Pendleton is wonderful as the would-be benefactor.

The EXTENDED closing chase scene is among the very funniest in movie history – right up there with the best of Buster Keaton; Streisand and O’Neal lead an ever-growing cavalcade of pursuers through the hills of San Francisco, at one point crashing the Chinese New Year’s Day parade. I love What’s Up, Doc? and own the DVD, and I watch every time I stumble across it on TV. Boganovich’s hero Howard Hawkes, the master of the screwball comedy, would have been proud.


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THE UNKNOWN: even geniuses have an off-day

Adèle Haenel in THE UNKNOWN GIRL

The Belgian writer-director brothers Luc and Jean-Pierre Dardennes are among my very favorite filmmakers.  Their movies about everyday people in gritty industrial Belgium have been startlingly authentic and emotionally  gripping.  However, their latest, The Unknown Girl, is a bit of a slog.

In The Unknown Girl, a compassionate and hardworking doctor (Adèle Haenel) is working late and doesn’t answer the office doorbell after hours.  It turns out that a young woman had been trying to get inside just before she was murdered.  The cops can’t even identify the victim.  The doc is wracked with guilt and embarks on a quest to identify the young woman and to solve the crime.

So this is a murder mystery – the closest thing  ever to a Dardennes brothers genre movie.  Unfortunately the deliberate, real-time pace that intensifies the emotional experience of the Dardennes’ other work just drags in The Unknown Girl.   And there are just one or two coincidences in the plot to swallow.

Adèle Haenel (recently so good in In the Name of My Daughter) is excellent and the best thing about the film.  She’s in every scene and portrays a driven and remarkably self-aware character, who often intentionally suppresses her emotions to do the best job possible for her patients.

This isn’t a bad movie, just not a spectacularly good one.  By all means, see a Dardennes film, just make it The Son or The Kid with a Bike.

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DVD/Stream of the Week: SHORT TERM 12 – compelling and affecting, in the world of foster kids


The compelling and affecting Short Term 12 is set in a foster care facility unit named Short Term 12; since the kids can live there for years, it seems pretty long-term to me. These are kids who have suffered abuse and neglect and who act out with disruptive and dangerous behaviors. Runaways, assaults and suicide attempts are commonplace, and some of the kids thrive on creating drama.

The gifted lead counselor on the unit is Grace (Brie Larson), who isn’t much older than the kids. She’s kind of a Troubled Kid Whisperer who, in each impossible situation, knows exactly what to do to defuse or comfort or protect. But while she is in total command of her volatile and fragile charges, she is profoundly troubled herself. She and her boyfriend Mason (John Gallagher Jr.), who also works on the unit, are themselves survivors and former foster youth. Mason seems to have resolved his issues, but Grace’s demons lurk just under her skin.

In Short Term 12’s taut 96 minutes, we watch Grace navigate through crisis after crisis until she must face her own. We share many of the most powerful moments in 2013 cinema, particularly one kid’s unexpectedly painful insightful and sensitive rap, another kid’s authoring a wrenching children’s story and Grace’s own outburst of ferocity to protect a kid from a parent.

Brie Larson’s performance as Grace is being widely and justifiably described as star-making, and I think she deserves an Oscar nomination. I noticed her performances in much smaller roles in Rampart and The Spectacular Now , and I’m really looking forward to the launch of a major career. Think Jennifer Lawrence.

John Gallagher Jr. must be a superb actor, because nobody in real life can be as appealing and sympathetic as his characters in Margaret, Newsroom and Short Term 12. I’ll watch any movie with Gallagher in it, and he’s almost good enough to help me stomach Newsroom.

In his debut feature, writer-director Destin Cretton has hit a home run with one of the year’s best dramas. Some might find the hopeful ending too pat, but I say So What – I have met many former foster youth who have transcended horrific childhoods to become exemplary adults.

Short Term 12 is available on DVD from Netflix and streaming from Netflix Instant, Amazon, iTunes, Vudu, YouTube, GooglePlay and Xbox Video. It was high on my Best Movies of 2013.

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THE VIETNAM WAR: must see for everyone (and available through Sunday)

The new PBS documentary by Ken Burns and Lynn Novick, The Vietnam War, is one of the best documentaries of the century and a superb history lesson, crucial to understand the America of today.  It’s a Must See for Baby Boomers.  For different reasons, it’s a Must See for Americans of later generations.  The ten episodes of The Vietnam War can be streamed from PBS through October 15.

It’s impossible to overstate the effect of the Vietnam War upon Americans of my generation.  I was watching TV at nine years old when I viewed a Buddhist monk setting himself on fire.  Vietnam got my attention on that day and held it throughout my youth.  I remember watching the television news, with the weekly “body count” scorecards for dead Americans, Army of the Republic of Vietnam (ARVN), Viet Cong and North Vietnamese Army (NVA).  I was almost 15 when, overnight, the Tet Offensive changed the appraisal of the war by the mainstream American public.  I was almost 19 when I got my draft lottery number.  I was 22 and about to graduate from college when Saigon fell.

Last week, a carpenter about my age did some work at my house.  When he arrived, he commented that he heard through the door that I was watching The Vietnam War.  It took us about two sentences to get to the draft.  Each of us instantly remembered our lottery numbers (mine was 65, his was 322).  Both of us remembered where we were on February 2, 1972, the night of that lottery drawing.

For Baby Boomers, The Vietnam War provides context for our experience, along with some new revelations.  Younger Americans who watch The Vietnam War will now understand what happened then and how it affects our culture and our politics to this day.

Burns and Novick tell their story mostly through first person accounts, from real people recounting their experiences 40-60 years ago.  The American talking heads aren’t big shots, but people who were soldiers, protesters, POWs, journalists and family members who lost loved ones.  But Burns and Novick also bring us Vietnamese witnesses – soldiers and civilians from the ARVN, Viet Cong and NVA.  Including the Vietnamese points of view – as disparate as the American ones – works to complete the picture.

The Vietnam War also brings us new information about the era’s most iconic photos.    We all remember the shocking still photo of the summary pistol-to-the-temple execution of a Viet Cong by a South Vietnamese police official; The Vietnam War brings us the original network TV film clip that was shot and shown only once on the TV news.  There’s the unforgettable photo of the Kent State coed, with hands outstretched over the corpse of a fellow student; we also see a never-before-shown home movie clip shot of the scene by another student.  Finally, we hear from the journalist who photographed the running Vietnamese girl burned by napalm, and we see film from that scene, too.

Who remembers that “light at the end of the tunnel” was coined by a French general in Vietnam, and later adopted by American brass (a bad choice, given the French experience)?  We hear the phrase used again in a very grim joke in late April 1975.

The Vietnam War shows us that Le Duan had shouldered Ho Chi Minh aside and ran the North Vietnamese side of the war for its last eight years.   Study of Le Duan provides us with some important lessons.  First, never get in a war of attrition with a fanatic.  Second, never let a fanatic run your postwar economy or foreign relations.

The Vietnam War is unmatched in tracing the evolution in the American public’s attitude during the long, long war.  There was some public opposition to the War almost from the beginning, but the Tet Offensive in early 1968 convinced the great majority that the US could never win and needed to find a way out.  But many Americans despised the anti-war protests.  It was the protests that divided the American nation,.  Oddly, at the same time there was a policy consensus (get out of Vietnam) and a cultural civil war.

And The Vietnam War, through his own words on White House tapes, exposes Henry Kissinger (as favorite of the American press) as the cynical sycophant that he was, ever flattering Nixon and conspiring to delay peace to favor Nixon’s political fortunes.

There is no more evocative aspect of The Vietnam War than its soundtrack, with 120 songs from the era from Jimi Hendrix, Bob Dylan, The Beatles, The Rolling Stones, Buffalo Springfield, Nina Simone, Simon and Garfunkel, Cream, Janis Joplin, Pete Seeger and even the Zombies, Procol Harum, Vanilla Fudge and Link Wray.  One episode ends with my choice as the anthem for 1971 in America – Marvin Gaye’s What’s Going On.  The songs are absolutely perfectly matched with the usual and spoken content, perhaps the most masterful use of popular music on a soundtrack that I have seen (and heard).  You can even review the episode playlists .

Through October 15, you can stream, The Vietnam War here.

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