SLOW WEST: a Western that never gets into the rhythm

SLOW WEST
SLOW WEST

Slow West, which I saw at Cinequest, is out on VOD today, ahead of a theatrical release in mid-May. I suggest that you skip it.

I love Westerns, but Slow West just didn’t work for me. It’s a film of some ambition, and it won an award at Sundance, but the movie kept sliding in and out of self-consciousness, and I could never settle in to the story.

Kodi Smitt-McGee plays a sixteen-year-old Scot completely unsuited for survival in the Old West. Nonetheless, he is devoted to a young woman and he launches a determined quest to track her down. He soon picks up a veteran Westerner (Michael Fassbender) who can guide and guard him. The two, of course, have a series of adventures along the way.

There’s some appealingly dark and droll humor in Slow West (quite a few good laughs, actually). The problem is that Slow West can’t figure out whether it should have the tone of a straight Western (Unforgiven, The Homesman) or wink at the audience (Little Big Man). Accordingly, some of the period details are so wrong that they distracted me from the story. For example, in an otherwise very funny scene with arrows and a clothesline, the Indians look like tiny, skinny Asians. Smitt-McGee employs a Scots accent in every fifth line. And Fassbender sounds like he just stepped out of a time machine from 2015.

Slow West was filmed in New Zealand, so there are grand vistas that kind of look like the American West, but then kinda don’t. This DID work for me, because it contributed an almost subconscious edge to heighten some scenes.

Bottom line: Slow West is a mess.

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